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Food's good, service is great - but what about the music? Guest Blog from the Restaurant Music Review

Guest blog - from the Restaurant Music Review​

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Some time ago we were eating in one of our favourite local restaurants.  It was a slightly sad occasion because the previous owners had recently left – we had become good friends and always enjoyed our dining experience with them – and they had worked tirelessly to eventually get a Michelin star – a rarity in this location!  The food had been exceptional, the atmosphere relaxed and intimate, and – most importantly - Martin (the co-owner/chef) had shared our taste in music – always drawing our attention to a new CD he wanted us to hear.  We were usually the last to leave and our evening often ended up with a complimentary drink with Martin and his wife/Maitre d’ Michelle and a relaxed chat over a recently discovered jazz album.

We had decided to give the new kids on the block the benefit of the doubt and booked up to see what they had to offer.  The décor hadn’t changed much, the food was pretty good, the new owners seemed anxious to please.  Then, halfway through the main course, the music cut in – Beethoven’s 5th – fairly quiet in the background, but it’s a small space and we couldn’t avoid it.  Our conversation stopped, our eyes met over the half consumed bottle of Chablis between us and we had to work hard not to choke on our passable fish dish.  It was funny – but not in a good way.  I think we both knew we probably wouldn’t be going back!

We have always been passionate about music and we notice it wherever it pops up – in a shopping mall, a hotel lounge – on the irritating guy’s iPod on the train!  And we have always been astounded at the number of restaurants that pay such scant attention to the music they play.  It often seems to be an afterthought – something one of the waitresses has bought in and thoughtlessly thrown on the rubbish CD player on top of the cutlery cupboard – or worse still - a radio tuned in to a music station and turned up just loud enough to drown out the possibility of any conversation at all, more for the benefit of the staff then the customers I suspect!

It seems strange that when restaurants spend considerable amounts of time, attention and money on the décor and the food, it’s frequently the case that little or no attention is given to the background music when it can play such an important and integral part of the eating experience.

One of my favourite places to eat a hearty, post hangover, breakfast is Giraffe on London’s South Bank.  Of course it’s a corporate set up but, as you would expect, it offers a completely well thought through eating experience – young, attentive, cheerful staff (a bit too cheerful sometimes!), well presented and reasonably priced food – and excellent music from the Putumayo range  (“Brazilian Groove” - upbeat modern Brazilian music – we loved it so much we bought the CD!).  It sends out a clear message – we want you to leave the restaurant feeling that you have enjoyed a complete dining experience – all your senses have been well served!

Following one particularly depressing night in a fairly up-market local restaurant, when we dined to the sotto voce tune of other people’s knives and forks and whispered conversations (and absolutely no music at all!) we decided to set up www.restaurantmusicreview.com as a bit of fun, in an attempt to reach the attention of restaurateurs who are not paying attention to this important element of the dining experience.

Many of the albums we have recommended have come from our own extensive collection, which covers a fairly wide range of musical genres.  Quite a few are albums that we often play at our own dinner parties, so we know what works for us.  The music needs to be complimentary to the dining experience, enhancing the atmosphere without taking over from the conversation and the choice will change during the evening – always something more upbeat at the beginning of the evening and chilling out as the evening progresses.

We’ve also paid attention to the current wave of CD’s and downloads available on line.  The great thing about MP3 downloads is that it’s now possible to build up compilation files which could be set up to provide enough excellent music to cover a whole evening – changing the mood to suit the particular style and environment of the restaurant.

It’s fairly obvious from our years of dining out that many restaurateurs do not have good ears – or possibly any ears at all!  There seem to be many people who can cook lovely food but really have no confidence about the music.   So we are offering them good advice, as ‘music sommeliers’ – we listen carefully to every CD/MP3 track that we recommend and we’re not swayed by the wave of other people’s recommendations.  This web site will only work if the reviews are authentic.  But we have to be mindful of availability, so we have built in easy links to purchase information to make it as easy as possible to get hold of the recommended music.

With luck – www.restaurantmusicreview.com will reach the attention of at least some of the previously musically challenged restaurateurs and benefit the dining experience of a growing wave of happy diners – and as we all know – happy diners keep coming back for more!

Annie Gee (co author www.restaurantmusicreview.com)

Oh shucks it’s that time of year again !! The Tabasco Oyster Shucking Championships at Bentley’s

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It is the small pleasures in life that bring the greatest of joys. Whilst we may be able to gorge ourselves on pacific oysters all year round the arrival of the ninth month of the year also brings the start of the native oyster season. As has been the case for a number of years now the start of this wonderful season is accompanied by the Oyster Shucking Championships – this year held on 3rd September at Richard Corrigan’s Bentley’s Oyster Bar and Grill.

The weather Gods are clearly fans of the native oyster as the sun was beating down to heat up the proceedings. Equally, the venue could hardly have been a more appropriate with oysters having been shucked at this Swallow Street landmark restaurant since 1916.

The ‘professional’ section of the competition saw many of London’s top fish restaurants putting forward their champion to compete for the coveted title – fastest to shuck and turn 30 oysters takes the prize.

The turnout to watch these knife wielding gladiators compete was hefty, and no that wasn’t just because Charles Campion decided to make an appearance.  Jay Rayner, Penny Smith, Silvano Giraldin, Eric Lanlard and (unfortunately he didn’t have a prior engagement) the ever ecstatic Ainsley Harriot all turned up to cheer on the competitors.

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The lubrication of choice for the event was a hugely quaffable Moutard champagne – liberally sloshed around the glasses of the assembled guests and perfect to wash down those Galway oysters that were making the rounds. The fishy canapés were spot on without exception – though the wonderfully softly boiled quails egg hidden within a delicate fishcake was both a surprise to me and my left trouser leg; but clearly nothing another glass of fizz could not solve (or make me forget at least).

The Master of Ceremonies, Brian Turner, got the event underway, it was not long before shells were flying high in the air as a an orgy of frantic shucking took place on this usually oh so respectable Mayfair side street. Once the dust had settled a champion was soon crowned with Sam Tamsanguan of Wiltons pipping Filipo Salamone of Bentley’s to the crustacean winning post. A winning time of 3 minutes and 39 seconds equates to 7.3 seconds an oyster, a calculator informs me – clearly not a bad effort.

It was then onto the celebrity section of the event – Edward Scissorhand vs Abu Hamza; alas I only jest . Instead we had the proprietor up against Jay Rayner and Mark Wogan;  the contest was soon over as Richard Corrigan flew away with the prize and Mark Wogan was left licking his wounds, literally.

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All in all a fine day was had by the assembled guests – Bentley’s proving the perfect setting for this test of stamina and skill. The wonderful oyster bar downstairs is undoubtedly one of the finest places in London in which to enjoy the fruits of the sea. The ornate bar and red leather upholstery only add to the enjoyment of the exceptionally fresh produce. Step upstairs to enter the more formal dining room and grill and you will not be disappointed. The intelligent and well-crafted menu offers something for all; though the fish is of course left to take centre stage. The cooking is simple but spot on, making the very best of the fine produce on offer.  Bentley’s Oyster Bar & Grill continues to attract a devoted following, with Richard Corrigan leading the venue from strength to strength. The setting is quaint despite its handy central location and the service continues the very highest of standards set by the food. This is a great place for any number of occasions. 

Nigel Platts-Martin – A London food legend; so why have so few people heard of him?

The Man

Nigel Platts-Martin is behind some of London’s most popular restaurants, however certainly does not look for personal celebrity or media attention. He is the man behind Chez Bruce in Wandsworth, the Glasshouse in Kew, La Trompette in Chiswick, the Square in Mayfair and the Ledbury in Notting Hill; these establishments holding 7 Michelin stars between them. Platts-Martin

Having graduated in law from Oxford Platts-Martin embarked on a career with Freshfields; feeding his appetite for food whenever not at his desk. It was at this time that he got to know a young chef at Lampwick’s in Battersea,  Marco Pierre White. Having decided that the law did not fulfil his appetite for life Platts-Martin purchased a brasserie on Wandsworth Common in 1986; bringing Marco Pierre White over as head chef they launched a revamped restaurant in 1987 - taking only 4 years to be awarded two Michelin stars.

In 1991 he opened a second restaurant, the Square, alongside Philip Howard, a former chef Harvey’s, gaining its first star in 1994 and a second in 1998. In 1993 White parted company with Harvey’s and in was then that Platts-Martin launched a new restaurant, Chez Bruce, with then chef at the Square Bruce Poole. It was here that the winning formula really started to come together with Chez Bruce repeatedly winning the accolade of restaurant of the year; finding a hugely devoted following.

In was in 1999 that Platts-Martin and Poole went on to open the Glasshouse in Kew with Anthony Boyd in the kitchen, which again has gained a Michelin star. Since its opening the Glasshouse now has Daniel Mertl at the stove and Anthony Boyd has taken up the lead in the kitchen at Platts-Martin’s and Poole’s 3rd venture La Trompette in Chiswick.  In 2005 he opened the Ledbury in Notting Hill with the Square’s Howard and former chef at the Square Brett Graham. The Ledbury won its first Michelin star in 2006, adding a second in 2010.

The fantastic Three

One of the gambles that Platts-Martin has successfully taken is consistently going into business with chefs, with the growth of cooks into celebrities come the trappings of fame; including the growing of grand personalities and often a watering down of their culinary interest with TV appearances and the building of their own brands.

Bruce Poole

Platts-Martin seems to have a great ability to read character; the chefs with whom he has chosen to venture into business are ones who despite growing fame have remained dedicated to the kitchen and have kept their feet on the ground.

Chez Bruce, the Glasshouse and la Trompette form the wonderful trio referred to above. The winning formula that they follow may appear to be obvious, however there are very few restaurants in the capital that can match them. The cooking in all three is classic French with influences from Italy and Spain. It is clear that the produce is meant to be the star of the show rather than the plating or foams being splashed about needlessly. The menus offer something for everyone. There will usually be a selection of beef, chicken and lamb – all of which you can be sure will be superbly cooked and not smothered in any over-powering sauce or with unnecessary accompaniments. There is also usually an offal choice – the sweet breads and kidney at Chez Bruce were fantastic the last time I went and the pork cheeks at the Glasshouse were certainly no disappointment. The final part of the mains section is then usually devoted to some deliciously simple sounding fish dishes that remind you what the sea has to offer; the roast cod with olive oil mash, provençale tomato and gremolata is simply divine. In addition the cheese boards at all three are celebrated across London as being a treat for anyone.

Chez Bruce

The next element is service, a part of any dining experience that doesn’t always receive the attention that it should. The service at all three restaurants is excellent, the staff are always friendly and helpful and above all they come across as genuine human beings. All too often I eat in restaurants where the staff are either disinterested in their job or alternatively seem to believe their role is to make the atmosphere as stiff and starchy as possible. At this trio I believe they have go it just right – friendly, knowledgeable but also allowing you to relax fully. They don’t look down their noses at people who aren’t ordering £200 bottles of wine, or those who don’t know their millefeuille from their melanzane.la Trompette

Having got the first two elements right that leaves the atmosphere, something that the trio excel at once again. All three manage to create a smart atmosphere without making them starchy. Chez Bruce and the Glasshouse seem to have a slightly more upmarket edge to them, which has made me have a mild preference for the décor at la Trompette. The relaxed, airy but smart atmosphere means that all three would be suitable for any number of occasions; be in a date, a celebratory meal, a business lunch or pretty much any other event that you could think of for that matter.

The GlasshouseHaving ticked the culinary, service and atmosphere boxes the thing that also seems to keep people coming back for more, and which for me is a large part of the financial success of these ventures, is the price. With a dinner menu of £39.50 at la Trompette and the Glasshouse and £45 at Chez Bruce the bill does not spiral into absurdity as is often all too easy across London – in addition with a reasonable bottle of wine being available in all three for around £23 the bill doesn’t get an unhealthy shock through the addition of a liquid accompaniment. The Chez Bruce lunch at around £27 is also one of the better value meals you will find in the capital. 

 

Not forgetting the other two

Having feasted on the three one Michelin starred restaurants in which he has a stake, that leaves the small matter of the two two Michelin starred restaurants.

The Square

Holding two Michelin stars but often said to being deserving of a third; this Mayfair stalwart continues to wow those who venture in. You will struggle to find more beautiful plates of food presented to you in London – however not for a second detracting from the flavours.The Square Philip Howard has a mesmerizing understanding of flavours, upon reading the menu you might at times think that his dishes sound rather busy; however once they arrive you then realise that the flavours work wonderfully well together. This is stunning French food with Mediterranean influences. At £80 for 3 courses it is that bit more than the wonderful trio above; but you certainly get that extra wow factor that you won’t find at the one star restaurants. The set lunch at £30 is sublime, it may be only a choice of two items per course however you can be assured that you will have memorable dishes placed before you.

The Ledbury

Philip Howard

With their partnership working so well at the Square it is not surprising that Howard and Platts-Martin decided to try their chances with another – this turned out to be the Ledbury, the most immediate question was however with Howard at the Square could they find another chef to take on the Ledbury and succeed? In the form of the Australian Brett Graham they found their answer; again the chef has brought very much his own style to the restaurant, however with the backing and knowledge that Platts-Martin and Howard have gained from their other ventures. Brett Graham is known to love shooting and this comes across in the menu, there is plenty of game and fowl to keep you busy. The LedburyThat is not to say that this is a restaurant where you simply get plates of bloody meat thrown onto the table (it is has two stars after all). The menu has once again a basis in France, however there are very strong British links, as well as influences from across other parts of Europe. The a la carte comes in at £75; which doesn’t seem inappropriate when compared to other two Michelin star restaurants; once again however you can see the winning formula slipping in – the set lunch at £27.50 is a steal for what you get in return.

A final word

Platts-Martin is a giant in the restaurant world and this is very well deserved. Unlike many others his restaurants have not dipped into administration as seems to have all too often with many top Michelin starred restaurants. He has built up great working relationships with some of Britain’s finest chefs and they have certainly played their part; for me the winning formula is based in the chefs staying in the kitchen rather than ending up on One Show or other such vapid programme. We can only hope that Platts-Martin keeps going strong, that others learn from all of the things that he gets right and that he perhaps adds to the London culinary landscape once or twice more. Platts-Martin has allowed me to have a taste of fantastic food, in wonderful environments without the need to sell a kidney to fund it. 

Hestonland –Blumenthal's guide to buying a village

Over recent years there have been ever louder murmurings about the buying up of large numbers of properties by celebrity chefs in quaint places; the most celebrated example being Rick Stein’s transformation of the Cornish seaside town Padstow into what many now refer to as Padstein. It is perhaps odd that a man who has built a career on his love of and support for independent local producers and restaurants does not see the hypocrisy in monopolising a town; having opened 4 restaurants, 3 shops and 6 places to stay.

It appears that there might be another name to add to this list of celebrity chefs. Heston Blumenthal who has wowed the world with this his molecular gastronomy and who holds three Michelin stars opened his newly acquired Crown at Bray towards the end of 2010; is his acquisition of this pub a step too far? I grew up moments from Bray where Heston already has two restaurants, this was the village’s last pub – has he removed the heart of a village?

The Man

Blumenthal was born in London in May 1966 and went onto to be raised and schooled in Buckinghamshire. He is largely self-taught; spending only a few weeks in professional kitchens – though the time he did spend in them included working under the heavy weights Raymond Blanc and Marco Pierre White.

Being self-taught has seen him less hindered by the notion that conventional equals correct. He has taken a fresh approach to food, not confined to using the techniques that would often be considered as standard in the West that are largely enshrined in French gastronomy. His approach sees him taking an interest in the chemistry of food; seeking an understanding of the chemical changes that take place within food during preparation and cooking. The result has been Blumenthal’s style of cooking being named molecular gastronomy.

In addition to simply seeking an understanding of the chemical nature of food he has taken a greater and greater  interest in the factors that impact upon taste; such as sight, sound, smell and even emotion and memory – could one’s childhood association with a particular dish alter how it tasted to you now?

Bray village

It was in Bray that Blumenthal decided to launch his first solo restaurant venture and where he has since acquired two further eating establishments.

The village of Bray sits on the bank of the river Thames in Berkshire with a miniscule population of around 8,500. Boasting the oldest cricket club in England it is an idyllic village that has drawn in an extremely affluent crowd – though I’m sure that the population of Bray are most proud of the fact that legendary entertainer (hmm…) Rolf Harris decided to settle and tie his kangaroo down there.

Despite its size Bray has great culinary pedigree. In 1972 the Roux brothers, Michel and Albert, acquired a pub that they turned into the world famous Waterside Inn – offering the very finest classical French cooking.

It gained its first Michelin star in 1974, adding a second in 1977 and then following this with the hallowed 3rd star in 1985. It now holds the accolade of longest time that 3 Michelin stars have been held by a restaurant in the UK.

The Fat Duck

In 1995 Blumenthal purchased the building that was to become his flagship restaurant. Sitting on the high street it is an unassuming terraced building, separated from the road by the narrowest of pavements – I have witnessed many a person walk straight past it when in search of the restaurant; believing it to be simply another house. At its launch the restaurant served classic bistro food. I recall being particularly unimpressed with my first visit, my steak and chips was beautifully cooked however I could not get over the fact that the plate had six chips stacked to form a measly carbohydrate tower; the world has no need for chip stacking.

Once the restaurant established itself dishes that showed the chef’s true interests started to creep onto the menu; the start of the move towards the cooking that we see today. In 1998 the Fat Duck received its first Michelin star; this was then doubled in 2001 before then being awarded a third star in 2004. In 2005 it was voted best restaurant in the world by restaurant magazine and was runner up in the same poll in 2006, 2007, 2008 and 2009.

Today the Fat Duck continues to go strong; the à la carte menu has been dispensed with leaving the tasting menu as the sole option. This sees 13 or so courses placed before you in a genuine feast for the taste buds and senses. Courses include the celebrated snail porridge, the truly magical mock turtle soup, the sounds of the sea (accompanied by an ipod which you are asked to don before the course is served) and macerated strawberries.

 Eating at the Fat Duck remains an incredible experience, truly different from any other meal I have ever eaten and I would highly recommend it being tried at least once by anyone. It is however not cheap; it seems that the menu creeps up and up in price - currently sitting at a pocket scorching £160 per person. With the meal taking in the region of 4 hours it means there is plenty of time for wine to be consumed – with wine and service the bill is unlikely to come out much less than £280 a head; however for those thirstier folk and those who like to venture further down the wine list the cost of the meal can soon spiral.

The Hinds head

It was a 15th Century building only moments from the Fat Duck that Heston Blumenthal chose for the setting of his next venture. This beautiful building was the setting for Prince Phillip’s stag do; it can only be imagined what the father of political correctness got up to on his last night of freedom. The conversion from pub to gastropub was not a huge loss; the shape of the space meant it didn’t work hugely well as a pub and on the occasions I used to drink in there I always had a shabby rather than antique air to it. The website for the Hinds head states “Above all however, the establishment remains a local village pub offering a warm welcome, unassuming friendly service and excellent food.” I am not convinced how true this is, the Hinds Head could not really be said to be a pub any longer. The area that is designated as the bar is compact to say the least and the feel is very much more of a restaurant than anything else – pop in there in the week for a pint and you will often not feel that you fit in and you will almost certainly have nowhere to sit. It is also run like a restaurant rather than a pub, the staff too preened and uniformed for this to be a village pub. The fact that the menus includes a tasting menu is surely the last nail in the coffin of the notion that this is still a pub.

The menu is very much traditional British cooking, the likes of which you will often struggle to find elsewhere –dishes include pea and ham soup, shepherd’s pie and chicken and mushroom pie. On the occasions I have eaten there I have found it rather hit and miss; I have had two extremely enjoyable meals there, however also had two poor meals. With starters around £10 and mains £17 it is not stunningly cheap and I have always found the bill comes to considerably more than expected.  

If you get to the Hinds head on a good day it has a lot going for it, the dining area downstairs is wonderful, the service isn’t always perfect however the food can be very good.

Dinner by Heston Blumenthal

Perhaps Blumenthal got a little bored of Bray as he has since launched Dinner by Heston Blumenthal in Knightsbridge’s Mandarin Oriental. The launch was huge and the buzz from the media soon made the restaurant the place to go; hence getting a booking without a few months notice being nigh on impossible. The inspiration for the menu seems to have come largely from his successful Channel 4 series Heston’s Feasts which saw the chef looking back through the history books for recipes to resurrect and adapt for the modern palate. At Dinner there is a date recorded next to each menu item denoting the period from which it hails.

On offer are bizarre concoctions that have been resurrected from the past, the most celebrated of which is the meat fruit starter which sees a chicken liver parfait served in the form of a mandarin – demonstrating exceptional skill in both cooking and artistry. Other dishes include savoury porridge, rice and flesh and roast turbot with cockle ketchup.  The dining room sees a tasteful meeting of the past with the new, matching the food excellently. Starters are around £15 and mains £30 and as with most visits to a Blumenthal eatery it is a unique experience. The set lunch at £28 for 3 courses is reasonably priced and allows those with on a budget to sample the restaurant’s theatre.  

The Crown at Bray

Towards the end of 2010 Blumenthal launched his newly purchased pub the Crown, a matter of seconds from both the Fat Duck and the Hinds Head. When I heard about this acquisition I was not pleased. Having grown up in the area and the Crown having previously been my local I knew the pub extremely well – to my mind it was one of the best pubs I have ever visited. The décor and atmosphere were perfect; a great log fire, wonderful beams and a fantastic wooden floor. I have many happy memories of waking up with shocking headaches after a night at the Crown, these were generally caused by the fact that I would forget to duck my head whilst walking under a beam – it was amazing that I even managed to forget this between drinks ending the night with numerous bumps on the head.

My concerns about the purchase stemmed from the fact that Blumenthal clearly believes he has kept the Hinds Head as a pub, when he clearly has not. The loss of the Hinds Head was not too great a loss however, as there was always the Crown to go to which was infinitely better. My concern was the Blumenthal would do the same to the Crown that he had the Hinds Head; namely alleged to be running a friendly local pub whilst converting it into primarily an eatery, taking away the pub feel, allowing the tables to be booked up and therefore extinguish any atmosphere.  

Having dinner with a friend a few months ago who lived in Bray for many years and who regularly returns to the area for lunch I enquired as to whether he had yet been to the Crown since the change in ownership. I immediately regretted asking as their face dropped– this led to a half an hour rant about “fucking Heston” and what he had done to the place. It transpired that my acquaintance had been there very soon after it launched and at a time when the kitchen was not ready to serve food; so his opinions had been formed simply through the visual changes.

He was flabbergasted that anyone would see it necessary to take a sandblaster to the floor and to strip the walls; taking away years of history – he would have done just as much damage by covering everything in paint. The rant then moved onto the service, of which he had an equally unpleasant memory. He was greeted at the bar by someone that he thought must have come straight from the Fat Duck training college and who was sporting an apron; creating a feel of being somewhere between a fine dining restaurant in London and a Harvester – not a great feel for a country pub.  Having had one drink in an almost empty pub (the locals seemed to have disappeared) he then decided to relocate to the local village of Holyport which has pubs that could never live up to the previous incarnation of the Crown; however which have benefited from the exodus from Bray following the Crown’s re-launch.

Having now been myself I agree entirely, a lot of the character and charm that the Crown used to have has been lost. The ‘pub’ is now full of diners which means that it is rather pointless going there for a drink even if you can find a table as the atmosphere is almost non-existent. The staff have now got rid of their aprons (thank God) however they are still very much based in restaurant mode rather than being pub staff.

The food at the Crown historically went up and down in quality depending on the chef; it was never however terrible and was even quite good at times. My lasting memory is of going there regularly for a few pints and then a big bowl of moules frites that was under £10. I would certainly agree that the food that is now served at the Crown is better than it was; few could disagree. It is now a restaurant that serves British pub food with a slightly pretentious twist. With the improvement in food comes the increase in price, at £8 for starters and £16 for mains it isn’t outlandishly expensive however it is also more than many people want to spend in the last place in the village where you could go to get a pint and a cheap(ish) bite to eat.

The main problem isn’t however the food or the prices, it is the fact that the Crown could no longer be deemed a pub; with the focus sitting so largely on the food. It is remarkable how quickly many of the locals have decided to leave the Crown and with their departure went the atmosphere.  

Verdict

Unfortunately my fears have been recognised, the last and best pub in Bray is now gone, probably forever. It is not solely the fault of Heston Blumenthal, there were lots of pubs in the area previously including the building that used to house the Waterside and the building that now houses Caldesi in Campagna, Giancarlo’s wonderful Italian launched after his success in Marylebone. I would say however than the buying up of three of them by the one person was a little excessive. In addition, the Crown was always the best of the lot and whilst it remained it provided somewhere for the locals to drink, to talk and to joke about the stream of people who would travel from afar to visit one of the two 3 Michelin-starred restaurants in the tiny village.

For people not from the area the Crown at Bray is a nice place for lunch if having come to the area for a walk by the river, it is however of little use to the locals. It is a shame that in a world where the regulation of monopolies in banking and high end retail is strictly enforced; when it comes to our towns and villages and the things that impact upon us every day there seems to be little people can do to stop someone buying up the local pub, shop or entire village for that matter.  

Alas, Bray has now lost its heart; it has been plucked out by Blumenthal – it wouldn’t be a great surprise to see it served back to the people of Bray on toasted sough dough bread with a red onion and porcupine chutney.